'BATES; BRESNICK Ways You Went' review by Donald Rosenberg for Gramophone
"The Planet on the Table" review by Robert Carl, Fanfare
"The Planet on the Table" review by Ben Taffijn, Nieuwe Noten
"Bird as Prophet" review by Mike Telin (clevelandclassic.com)
"Bird as Prophet" review by Daniel Schreiner (icareifyoulisten.com)
Unsolicited Remarks "Prayers Remain Forever" review by Grant Chu Covell
I Care If You Listen "Prayers Remain Forever" review by Jarrett Goodchild
The Australian "Prayers Remain Forever" review by Vincent Plush
Audiophile Audition "Prayers Remain Forever" review by Mel Martin
New York Times "Prayers Remain Forever" review by Anthony Tommasini
John Ronsen "Modern Composition" Reviews
Music For Writers: Martin Bresnick And The Terrible Beauty Of Sorrow by Porter Anderson
Sharps and Flatirons Review by Peter Alexander
WQXR Review by Daniel Stephen Johnson
Gramophone Review by Jed Distler
Gapplegate Classical-Modern Music Review of Prayers Remain Forever
Fanfare "Prayers Remain Forever" review by Robert Carl
"Prayers Remain Forever" review by NewMusicBuff
George Grella Best Classical Recordings 2014 for Prayers Remain Forever
Amazon.com review from Charlie Pitt of Caprichos Enfaticos
Mike Maguire review of Caprichos Enfaticos
Sacramento Bee 'Caprichos Enfaticos' review, Edward Ortiz
CD review: Martin Bresnick, 'Caprichos Enfáticos', Joshua Kosman, San Francisco Chronicle
Notable in 2011: So Percussion and Lisa Moore play Bresnick by Christian Carey in CD Review
"Caprichos Enfaticos" review on classicalmodernmusic.blogspot.com
Two Intriguing Albums by So Percussion, from Lucid Culture
Jeremy Howard Beck review of Caprichos Enfaticos
Ignorant Armies Go Bump in the Night [Bresnick: Caprichos Enfaticos] - from afoolintheforest.com
Allmusic Review, by Stephen Eddins
Signal to Noise volume #63, by Kurt Gottschalk
Everything Must Go review by Robert Carl
Alex Ross, The New Yorker, Critic's Notebook - Rags to Riches
Time Out Chicago
My Twentieth Century review by John Schaeffer
Rodney Lister, Tempo Magazine: review of My Twentieth Century
Time Out Chicago review of My Twentieth Century
Robert Carl, Fanfare: review of My Twentieth Century
American Record Guide review of My Twentieth Century
Frank Oteri, NewMusicBox
Javier Palacio, Diverdi (review of My Twentieth Century)
Kyle Gann, Village Voice
Joshua Kosman, SF Chronicle
Review by Charles Michener (New York Observor, March 1995)
Review by Andrea Vos-Rochefort
Features & Performance Reviews
'US based Aussie virtuoso pianist Lisa Moore irons out bugs for her return concert' Review by Steve Moffatt in the Daily Telegraph, 18th March 2024
Melbourne Digital Concert Hall: Eastern Ripples – Lisa Moore and Anna McMichael Review by Julie McErlain, 28th February 2021
'Tales of Hopper: The Additive Adaptation from Painting to Dance', review by Hannah Foster in The Brookklyn Rail, April 2020
Review of 'Tales of Hopper' premier by Jeffrey Plamer on 'CutCommon': Mar 12, 2020
Review of 'Tales of Hopper' premier by Oberon on 'Oberon's Grove': Feb 26, 2020
Review of 'Tales of Hopper' premier by Jerry Hochman on 'CriticalDance': Feb 25, 2020
Review of 'Tales of Hopper' premier by Robert Abrams on 'Exploredance.com': Feb 25, 2020
Review of String Quartet #4 "The Planet on the Table" premiere by Chris Lee in 'The Strad': March 9, 2019
Review of 92Y: Inflection Music Art Literature Series by Harry Rolnick: March 9, 2019
Chicago Classical Review - John von Rhein, February 5, 2019
Picture This Post - Amy Muncie
'The tough crowd holds its breath'
“Handwork”, Sonya Lifschitz and Lisa Moore. At the Larry Sitsky Recital Room, Canberra Australia May 23. Reviewed by JUDITH CRISPIN.
'A Heroic Reader Scored' - Review of Passions of Bloom: Whitman, Melville, Dickinson, The International Festival of Arts & Ideas
Review of 'Passions of Bloom' by Steve Mentz - #artsideas17 (The Bookfish - Thalassology, Shakespeare and Swimming)
Review of Time Flies - duo concert by Kate Stenberg & Lisa Moore, by Giacomo Fiore, San Francisco Classical Voice
Review of Time Flies - duo concert by Kate Stenberg & Lisa Moore, by Stephen Smoliar, The Rehearsal Studio (blog)
"Passions of the Committed Composer", Noguchi Museum, Long Island City, Queens. Sept 11, 2016
Yale Composers Showcase Their Works at New Music New Haven
"Emotions Perpetuel" - ConcertoNet.com
"Parisot" (for 12 cellos)
Edge of the Center Preview
Lucid Culture review of Prayers Remain Forever
Martin Buzzacott, The Australian, review of Caprichos Enfaticos performance in Brisbane
The Yale Alumni Magazine, Anne Midgette, March/April 2007
Review of "My Friend's Story" from Chris Arnott
Preview of "My Friend's Story" from The New Yorker
Review of "Everything Must Go," ArtsWatch - GARY FERRINGTON
Anthony Tommasini, review of 'The Essential Martin Bresnick,' New York Times
New Music Toronto review from Paolo Griffin
Review from Canberra City News, Music Festival: Americans set a challenge - Judith Crispin
Review of Pan Penseroso, Washington Post - STEPHEN BROOKES
Scott Cmiel, All Hail Benjamin Verdery, review of Joaquin is Dreaming performance
Phillip Ratliff, Birmingham News
George Robinson, The Jewish Week
Steve Smith, Happy Jazzy, Operatic, Symphonic Birthday, Dear Teacher
Allan Kozinn, New York Times
Dan Tucker, Chicago Tribune
Robert Curry, The Australian
Lynette Lancini, RealTime Online Magazine
Just Time Review from Rovi Joseph Stevenson